Researching Palestine

In this "beautiful...urgent" novel (The New York Times), Nahr, a young Palestinian woman, fights for a better life for her family as she travels as a refugee throughout the Middle East. As Nahr sits, locked away in solitary confinement, she spends her days reflecting on the dramatic events that landed her in prison in a country she barely knows. Born in Kuwait in the 70s to Palestinian refugees, she dreamed of falling in love with the perfect man, raising children, and possibly opening her own beauty salon. Instead, the man she thinks she loves jilts her after a brief marriage, her family teeters on the brink of poverty, she's forced to prostitute herself, and the US invasion of Iraq makes her a refugee, as her parents had been. After trekking through another temporary home in Jordan, she lands in Palestine, where she finally makes a home, falls in love, and her destiny unfolds under Israeli occupation. Nahr's subversive humor and moral ambiguity will resonate with fans of My Sister, The Serial Killer, and her dark, contemporary struggle places her as the perfect sister to Carmen Maria Machado's Her Body and Other Parties. Written with Susan Abulhawa's distinctive "richly detailed, beautiful, and resonant" (Publishers Weekly) prose, this powerful novel presents a searing, darkly funny, and wholly unique portrait of a Palestinian woman who refuses to be a victim.

An arrestingly drawn debut graphic novel, Baddawi is the story of a young boy named Ahmad struggling to find his place in the world. It explores the childhood of the author's father from a determinedly boy's-eye view. Ahmed was raised in the refugee camp of Baddawi in northern Lebanon, one of many thousands of children born to Palestinians who fled (or were expelled from) their homeland during the 1948 war that established the state of Israel. Ahmad's dogged pursuit of education and opportunity echoes the journey of the Palestinian people, as they make the best of their existing circumstances while remaining determined to one day return to their homeland.

What if all the Palestinians in Israel simply disappeared one day? What would happen next? How would Israelis react? These unsettling questions are posed in Azem's powerfully imaginative novel. Set in contemporary Tel Aviv forty eight hours after Israelis discover all their Palestinian neighbors have vanished, the story unfolds through alternating narrators, Alaa, a young Palestinian man who converses with his dead grandmother in the journal he left behind when he disappeared, and his Jewish neighbor, Ariel, a journalist struggling to understand the traumatic event. Through these perspectives, the novel stages a confrontation between two memories. Ariel is a liberal Zionist who is critical of the military occupation of the West Bank and Gaza, but nevertheless believes in Israel's project and its national myth. Alaa is haunted by his grandmother's memories of being displaced from Jaffa and becoming a refugee in her homeland. Ariel's search for clues to the secret of the collective disappearance and his reaction to it intimately reveal the fissures at the heart of the Palestinian question. The Book of Disappearance grapples with both the memory of loss and the loss of memory for the Palestinians. Presenting a narrative that is often marginalized, Antoon's translation of the critically acclaimed Arabic novel invites English readers into the complex lives of Palestinians living in Israel.

After years away from her family's homeland, and reeling from a disastrous love affair, actress Sonia Nasir returns to Haifa to visit her older sister Haneen. This is her first trip back since the second intifada and the deaths of their grandparents: while Haneen made a life here commuting to Tel Aviv to teach at the university, Sonia remained in London to focus on her acting career and now dissolute marriage. On her return, she finds her relationship to Palestine is fragile, both bone-deep and new. At Haneen's, Sonia meets the charismatic and candid Mariam, a local director, and finds herself roped into a production of Hamlet in the West Bank. Sonia is soon rehearsing Gertude's lines in Classical Arabic and spending more time in Ramallah than Haifa, along with a dedicated group of men from all over historic Palestine who, in spite of competing egos and priorities, each want to bring Shakespeare to that side of the wall. As opening night draws closer it becomes clear just how many violent obstacles stand before a troupe of Palestinian actors. Amidst it all, the life Sonia once knew starts to give way to the daunting, exhilarating possibility of finding a new self in her ancestral home. A stunning rendering of present-day Palestine, Enter Ghost is a story of diaspora, displacement, and the connection to be found in family and shared resistance. Timely, thoughtful, and passionate, Isabella Hammad's highly anticipated second novel is an exquisite feat, an unforgettable story of artistry under occupation.

Gate of the Sun is the first magnum opus of the Palestinian saga. After their country is torn apart in 1948, two men remain alone in a deserted makeshift hospital in the Shatila camp on the outskirts of Beirut. We enter a vast world of displacement, fear, and tenuous hope. Khalil holds vigil at the bedside of his patient and spiritual father, a storied leader of the Palestinian resistance who has slipped into a coma. As Khalil attempts to revive Yunes, he begins a story, which branches into many. Stories of the people expelled from their villages in Galilee, of the massacres that followed, of the extraordinary inner strength of those who survived, and of love. Khalil--like Elias Khoury--is a truth collector, trying to make sense of the fragments and various versions of stories that have been told to him. His voice is intimate and direct, his memories are vivid, his humanity radiates from every page. Khalil lets his mind wander through time, from village to village, from one astonishing soul to another, and takes us with him. Gate of the Sun is a Palestinian Odyssey. Beautifully weaving together haunting stories of survival and loss, love and devastation, memory and dream, Khoury humanizes the complex Palestinian struggle as he brings to life the story of an entire people.

Set over the course of twenty-four hours, Guapa follows Rasa, a gay man living in an unnamed Arab country, as he tries to carve out a life for himself in the midst of political and social upheaval. Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. One night Rasa's grandmother—the woman who raised him—catches them in bed together. The following day Rasa is consumed by the search for his best friend Maj, a fiery activist and drag queen star of the underground bar, Guapa, who has been arrested by the police. Ashamed to go home and face his grandmother, and reeling from the potential loss of the three most important people in his life, Rasa roams the city’s slums and prisons, the lavish weddings of the country’s elite, and the bars where outcasts and intellectuals drink to a long-lost revolution. Each new encounter leads him closer to confronting his own identity, as he revisits his childhood and probes the secrets that haunt his family. As Rasa confronts the simultaneous collapse of political hope and his closest personal relationships, he is forced to discover the roots of his alienation and try to re-emerge into a society that may never accept him.

Nidali, the rebellious daughter of an Egyptian-Greek mother and a Palestinian father, narrates the story of her childhood in Kuwait, her teenage years in Egypt (to where she and her family fled the 1990 Iraqi invasion), and her family's last flight to Texas. Nidali mixes humor with a sharp, loving portrait of an eccentric middle-class family, and this perspective keeps her buoyant through the hardships she encounters: the humiliation of going through a checkpoint on a visit to her father's home in the West Bank; the fights with her father, who wants her to become a famous professor and stay away from boys; the end of her childhood as Iraq invades Kuwait on her thirteenth birthday; and the scare she gives her family when she runs away from home. Funny, charming, and heartbreaking, A Map of Home is the kind of book Tristram Shandy or Huck Finn would have narrated had they been born Egyptian-Palestinian and female in the 1970s.

A heart-wrenching, powerfully written novel that does for Palestine what The Kite Runner did for Afghanistan.Mornings in Jenin is a multi-generational story about a Palestinian family. Forcibly removed from the olive-farming village of Ein Hod by the newly formed state of Israel in 1948, the Abulhejos are displaced to live in canvas tents in the Jenin refugee camp. We follow the Abulhejo family as they live through a half century of violent history. Amidst the loss and fear, hatred and pain, as their tents are replaced by more forebodingly permanent cinderblock huts, there is always the waiting, waiting to return to a lost home.The novel's voice is that of Amal, the granddaughter of the old village patriarch, a bright, sensitive girl who makes it out of the camps, only to return years later, to marry and bear a child. Through her eyes, with her evolving vision, we get the story of her brothers, one who is kidnapped to be raised Jewish, one who will end with bombs strapped to his middle. But of the many interwoven stories, stretching backward and forward in time, none is more important than Amal's own. Her story is one of love and loss, of childhood and marriage and parenthood, and finally the need to share her history with her daughter, to preserve the greatest love she has. Set against one of the twentieth century's most intractable political conflicts, Mornings in Jenin is a deeply human novel - a novel of history, identity, friendship, love, terrorism, surrender, courage, and hope. Its power forces us to take a fresh look at one of the defining conflicts of our lifetimes.

A deeply poetic account of love and resistance through a young girl's eyes by acclaimed writer, Sahar Khalifeh, called "the Virginia Woolf of Palestinian literature" (Börsenblatt) Nidal, after many decades of restless exile, returns to her family home in Nablus, where she had lived with her grandmother before the 1948 Nakba that scattered her family across the globe. She was a young girl when the popular resistance began and, through the bloodshed and bitter struggle, Nidal fell in love with freedom fighter Rabie. He was her first and only real love--him and all that he represented: Palestine in its youth, the resistance fighters in the hills, the nation as embodied in her family home and in the land. Many years later, Nidal and Rabie meet, and he encourages her to read her uncle Amin's memoirs. She immerses herself in the details of her family and national past and discovers the secret history of her absent mother. Filled with emotional urgency and political immediacy, Sahar Khalifeh spins an epic tale reaching from the final days of the British Mandate to today with clear-eyed realism and great imagination.

 Lyrical and heartbreaking, Salt Houses follows three generations of a Palestinian family and asks us to confront that most devastating of all truths: you can't go home again. Winner of the Dayton Literary Peace Prize and the Arab American Book Award On the eve of her daughter Alia's wedding, Salma reads the girl's future in a cup of coffee dregs. She sees an unsettled life for Alia and her children; she also sees travel and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is uprooted in the wake of the Six-Day War of 1967.          

This contemporary classic, the story of a Palestinian who becomes a citizen of Israel, combines fact and fantasy, tragedy and comedy. Saeed is the comic hero, the luckless fool, whose tale tells of aggression and resistance, terror and heroism, reason and loyalty that typify the hardships and struggles of Arabs in Israel. An informer for the Zionist state, his stupidity, candor, and cowardice make him more of a victim than a villain; but in a series of tragicomic episodes, he is gradually transformed from a disaster-haunted, gullible collaborator into a Palestinian--no hero still, but a simple man intent on survival and, perhaps, happiness. The author's own anger and sorrow at Palestine's tragedy and his acquaintance with the absurdities of Israeli politics (he was once a member of Israel's parliament himself) are here transmuted into satire both biting and funny. Translated by Anton Shammas into Hebrew, The Secret Life of Saeed won Israel's foremost Prize for Literature; a stage version played to great acclaim for a decade.

This gripping, comi-tragic fictional-factual saga takes place in the environs of Jerusalem, from late Ottoman times to the establishment of the State of Israel in 1948. With the colorful strokes of his pen, Ibrahim Nasrallah paints a vivid picture of Palestinian villagers' preoccupations and aspirations-their ties to their land, to their animals, and to one another. Through the experiences of Hajj Mahmud, chief elder of al-Hadiya, his son Khalid and his beloved steed al-Hamama, and other memorable characters ranging from the heroic to the villainous, we relive the realities of the Palestinian village in the early twentieth century, Zionist colonization and its impact on Arab rural life, the trauma that accompanied the British mandate and its aftermath, the Palestinians' struggle to maintain the autonomy and dignity they had known for centuries on end, and the beginnings of life under the Zionist state.

Palestine. For most of us, the word brings to mind a series of confused images and disjointed associations-massacres, refugee camps, UN resolutions, settlements, terrorist attacks, war, occupation, checkered kouffiyehs and suicide bombers, a seemingly endless cycle of death and destruction. This novel does not shy away from such painful images, but it is first and foremost a powerful human story, following the life of a young girl from her days in the village of al-Tantoura in Palestine up to the dawn of the new century. We participate in events as they unfold, seeing them through the uneducated but sharply intelligent mind of Ruqayya, as she tries to make sense of all that has happened to her and her family. With her, we live her love of her land and of her people; we feel the repeated pain of loss, of diaspora and of cross-generational misunderstanding; and above all, we come to know her indomitable human spirit. As we read we discover that we have become part of Ruqayya's family, and her voice will remain with us long after we have closed the book.

Palestine, 1990. Seventeen-year-old Isra prefers reading books to entertaining the suitors her father has chosen for her. Over the course of a week, the naïve and dreamy girl finds herself quickly betrothed and married, and is soon living in Brooklyn. There Isra struggles to adapt to the expectations of her oppressive mother-in-law Fareeda and strange new husband Adam, a pressure that intensifies as she begins to have children--four daughters instead of the sons Fareeda tells Isra she must bear. Brooklyn, 2008. Eighteen-year-old Deya, Isra's oldest daughter, must meet with potential husbands at her grandmother Fareeda's insistence, though her only desire is to go to college. Deya can't help but wonder if her options would have been different had her parents survived the car crash that killed them when Deya was only eight. But her grandmother is firm on the matter: the only way to secure a worthy future for Deya is through marriage to the right man. But fate has a will of its own, and soon Deya will find herself on an unexpected path that leads her to shocking truths about her family--knowledge that will force her to question everything she thought she knew about her parents, the past, and her own future.

A "provocative and seductive debut" of desire and doubleness that follows the life of a young Palestinian American woman caught between cultural, religious, and sexual identities as she endeavors to lead an authentic life (O, The Oprah Magazine). On a hot day in Bethlehem, a 12-year-old Palestinian-American girl is yelled at by a group of men outside the Church of the Nativity. She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother's response only intensifies a sense of shame: "You exist too much," she tells her daughter. Told in vignettes that flash between the U.S. and the Middle East--from New York to Jordan, Lebanon, and Palestine--Zaina Arafat's debut novel traces her protagonist's progress from blushing teen to sought-after DJ and aspiring writer. In Brooklyn, she moves into an apartment with her first serious girlfriend and tries to content herself with their comfortable relationship. But soon her longings, so closely hidden during her teenage years, explode out into reckless romantic encounters and obsessions with other people. Her desire to thwart her own destructive impulses will eventually lead her to The Ledge, an unconventional treatment center that identifies her affliction as "love addiction." In this strange, enclosed society she will start to consider the unnerving similarities between her own internal traumas and divisions and those of the places that have formed her. Opening up the fantasies and desires of one young woman caught between cultural, religious, and sexual identities, You Exist Too Much is a captivating story charting two of our most intense longings--for love, and a place to call home.

Is being Palestinian a 'pain in the neck', or a 'sentence to suffer gladly'? Does Palestinian identity reside in cross-stitch embroidery, sweet knafeh and the poetry of Mahmoud Darwish, or defending the rights of oppressed communities around the world? How does it feel when you cannot find Palestine under 'P' in the encyclopedia? Why grow fig and orange trees in the Arizona desert? What does it mean to know every inch of a village that no longer exists? In this ground-breaking volume, 102 contributors now living in the UK and North America reflect in their own words on what it means to be Palestinian in the diaspora - exploring how Palestine is both lost and found, bereaved and celebrated, and taking the reader on an intimate journey through the tangled ties between 'home' and 'homeland'. Men and women, young and old, Christians and Muslims, Palestinians from different generations and a variety of professional backgrounds (business people, lawyers, judges, fiction writers, poets, journalists, film-makers, diplomats and academics) offer contributions. Touching, often troubling, but full of character and wit, the reflections in Being Palestinian offer a radically fresh look at the modern Palestinian experience in the West. And the time-honoured issues of identity, exile and diaspora give acute sense to these very personal reflections.

Immersive and gripping, an intimate story of a deadly accident outside Jerusalem that unravels a tangle of lives, loves, enmities, and histories over the course of one revealing, heartbreaking day. Five-year-old Milad Salama is excited for a school trip to a theme park on the outskirts of Jerusalem. On the way, his bus collides with a semitrailer. His father, Abed, gets word of the crash and rushes to the site. The scene is chaos--the children have been taken to different hospitals in Jerusalem and the West Bank; some are missing, others cannot be identified. Abed sets off on an odyssey to learn Milad's fate. It is every parent's worst nightmare, but for Abed it is compounded by the maze of physical, emotional, and bureaucratic obstacles he must navigate because he is Palestinian. He is on the wrong side of the separation wall, holds the wrong ID to pass the military checkpoints, and has the wrong papers to enter the city of Jerusalem. Abed's quest to find Milad is interwoven with the stories of a cast of Jewish and Palestinian characters whose lives and histories unexpectedly converge. In A Day in the Life of Abed Salama, Nathan Thrall--hailed for his "severe allergy to conventional wisdom" (Time)--offers an indelibly human portrait of the struggle over Israel/Palestine and a new understanding of the tragic history and reality of one of the most contested places on earth.

In Search of Fatima reflects the author's personal experiences of displacement, loss and nostalgia against a backdrop of the major political events which have shaped Middle East conflict. In Search of Fatima is a powerful biographical story, but it is also a book which transcends its author's own experience. It speaks for the millions of people all over the world who have lived suspended between their old and new countries, fitting into neither. An account not of the physical hardship and abuse suffered by many refugees, but rather an exploration of the subtler privations of psychological displacement and loss of identity.

A fierce and moving work and an unparalleled rendering of the human aspects of the Palestinian predicament. Barred from his homeland after 1967's Six-Day War, the poet Mourid Barghouti spent thirty years in exile--shuttling among the world's cities, yet secure in none of them; separated from his family for years at a time; never certain whether he was a visitor, a refugee, a citizen, or a guest. As he returns home for the first time since the Israeli occupation, Barghouti crosses a wooden bridge over the Jordan River into Ramallah and is unable to recognize the city of his youth. Sifting through memories of the old Palestine as they come up against what he now encounters in this mere "idea of Palestine," he discovers what it means to be deprived not only of a homeland but of "the habitual place and status of a person." A tour de force of memory and reflection, lamentation and resilience, I Saw Ramallah is a deeply humane book, essential to any balanced understanding of today's Middle East.

This is a history of modern Palestine like no other: built from the testimony of people who have lived through it. Ramzy Baroud here gathers accounts from countless Palestinians from all walks of life, and from throughout the decades, to tell the story of the nation and its struggle for independence and security. Challenging both academic and popular takes on Palestinian history, Baroud unearths here the deep commonalities within the story of Palestine, ones that draw the people together despite political divisions, geographical barriers and walls, factionalism, occupation, and exile. Through these firsthand reports--by turns inspiring and terrifying, triumphant and troubled--we see Palestine in all its complexity and contradictions, ever vibrant in the memories of the people who have fought, physically and otherwise, for its future. A remarkable book, The Last Earth will be essential to understanding the struggles in the contemporary Middle East.  

In late l991 and early 1992, at the time of the first Intifada, Joe Sacco spent two months with the Palestinians in the West Bank and Gaza Strip, travelling and taking notes. Upon returning to the United States he started writing and drawing Palestine, which combines the techniques of eyewitness reportage with the medium of comic-book storytelling to explore this complex, emotionally weighty situation. He captures the heart of the Palestinian experience in image after unforgettable image, with great insight and remarkable humour.

"I often come to walk in these hills," I said to the man who was doing all the talking and seemed to be the commander. "In fact I was once here with my wife, it was 1999, and some of your soldiers shot at us." "It was over on that side," the soldier pointed out. "I was there," he said, smiling. When Raja Shehadeh first started hill walking in Palestine, in the late 1970s, he was not aware that he was traveling through a vanishing landscape. In recent years, his hikes have become less than bucolic and sometimes downright dangerous. That is because his home is Ramallah, on the Palestinian West Bank, and the landscape he traverses is now the site of a tense standoff between his fellow Palestinians and settlers newly arrived from Israel. In this original and evocative book, we accompany Raja on six walks taken between 1978 and 2006. The earlier forays are peaceful affairs, allowing our guide to meditate at length on the character of his native land, a terrain of olive trees on terraced hillsides, luxuriant valleys carved by sacred springs, carpets of wild iris and hyacinth and ancient monasteries built more than a thousand years ago. Shehadeh's love for this magical place saturates his renderings of its history and topography. But latterly, as seemingly endless concrete is poured to build settlements and their surrounding walls, he finds the old trails are now impassable and the countryside he once traversed freely has become contested ground. He is harassed by Israeli border patrols, watches in terror as a young hiking companion picks up an unexploded missile and even, on one occasion when accompanied by his wife, comes under prolonged gunfire. Amid the many and varied tragedies of the Middle East, the loss of a simple pleasure such as the ability to roam the countryside at will may seem a minor matter. But in Palestinian Walks, Raja Shehadeh's elegy for his lost footpaths becomes a heartbreaking metaphor for the deprivations of an entire people estranged from their land.

A Palestinian activist jailed at sixteen after a confrontation with Israeli soldiers illuminates the daily struggles of life under occupation in this moving, deeply personal memoir. "I cannot even begin to convey the clarity, the intensity, the power, the photographic storytelling of They Called Me a Lioness."--Ibram X. Kendi, internationally bestselling author of How to Be an Antiracist ONE OF THE BEST BOOKS OF THE YEAR: Kirkus Reviews "What would you do if you grew up seeing your home repeatedly raided? Your parents arrested? Your mother shot? Your uncle killed? Try, for just a moment, to imagine that this was your life. How would you want the world to react?" Ahed Tamimi is a world-renowned Palestinian activist, born and raised in the small West Bank village of Nabi Saleh, which became a center of the resistance to Israeli occupation when an illegal, Jewish-only settlement blocked off its community spring. Tamimi came of age participating in nonviolent demonstrations against this action and the occupation at large. Her global renown reached an apex in December 2017, when, at sixteen years old, she was filmed slapping an Israeli soldier who refused to leave her front yard. The video went viral, and Tamimi was arrested. But this is not just a story of activism or imprisonment. It is the human-scale story of an occupation that has riveted the world and shaped global politics, from a girl who grew up in the middle of it . Tamimi's father was born in 1967, the year that Israel began its occupation of the West Bank and he grew up immersed in the resistance movement. One of Tamimi's earliest memories is visiting him in prison, poking her toddler fingers through the fence to touch his hand. She herself would spend her seventeenth birthday behind bars. Living through this greatest test and heightened attacks on her village, Tamimi felt her resolve only deepen, in tension with her attempts to live the normal life of a daughter, sibling, friend, and student. An essential addition to an important conversation, They Called Me a Lioness shows us what is at stake in this struggle and offers a fresh vision for resistance. With their unflinching, riveting storytelling, Ahed Tamimi and Dena Takruri shine a light on the humanity not just in occupied Palestine but also in the unsung lives of people struggling for freedom around the world.

A subtle psychological portrait of the author's relationship with his father during the twentieth-century battle for Palestinian human rights. Aziz Shehadeh was many things: lawyer, activist, and political detainee, he was also the father of bestselling author and activist Raja. In this new and searingly personal memoir, Raja Shehadeh unpicks the snags and complexities of their relationship. A vocal and fearless opponent, Aziz resists under the British mandatory period, then under Jordan, and, finally, under Israel. As a young man, Raja fails to recognize his father's courage and, in turn, his father does not appreciate Raja's own efforts in campaigning for Palestinian human rights. When Aziz is murdered in 1985, it changes Raja irrevocably. This is not only the story of the battle against the various oppressors of the Palestinians, but a moving portrait of a particular father and son relationship.

"Tell me how to live so many lives at once ..." Fowzi, who beats everyone at dominoes; Ibtisam, who wanted to be a doctor; Abu Mahmoud, who knows every eggplant and peach in his West Bank garden; mysterious Uncle Mohammed, who moved to the mountain; a girl in a red sweater dangling a book bag; children in velvet dresses who haunt the candy bowl at the party; Baba Kamalyari, age 71; Mr. Dajani and his swans; Sitti Khadra, who never lost her peace inside. Maybe they have something to tell us. Naomi Shihab Nye has been writing about being Arab-American, about Jerusalem, about the West Bank, about family all her life. These new and collected poems of the Middle East -- sixty in all -- appear together here for the first time.

Birthright is a book that balances the weight of place. The pride and shame and worth of homeland. Palestine, a homeland under siege and under scrutiny from a world that doesn't occupy its borders. It is a book of immense nuance, pulling together all corners of the author s pride in home, but also a desire to understand the violent cycles of the American machinery of war.

UpSet Press has restored to print Suheir Hammad's first book of poems, Born Palestinian, Born Black, originally published by Harlem River Press in 1996. The new edition is augmented with a new author's preface, and new poems, under the heading, The Gaza Suite, as well as a new publisher's note by Zohra Saed, an introduction by Marco Villalobos, and an afterword by Kazim Ali.

What is political poetry and linguistic activism? What does it mean to bear witness through writing? When language proves insufficient, how do we find and articulate a pathway forward?  Dear God. Dear Bones. Dear Yellow. interrogates, subverts, and expands these questions through poems that are formally and lyrically complex, dynamic, and innovative. With rich intertextuality and an unwavering eye, Noor Hindi explores and interrogates colonialism, religion, patriarchy, and the complex intersections of her identity.  Featuring her widely circulated poem, "Fuck Your Lecture on Craft, My People Are Dying," this book is an incomparable force of fury and precision from a powerful and unstoppable poet. Noor Hindi's collection is ultimately a provocation: on trauma, on art, and on what it takes to truly see the world for what it is/isn't and change it for the better.

One of the most transcendent poets of his generation, Darwish composed this remarkable elegy at the apex of his creativity, but with the full knowledge that his death was imminent. Thinking it might be his final work, he summoned all his poetic genius to create a luminous work that defies categorization. In stunning language, Darwish’s self-elegy inhabits a rare space where opposites bleed and blend into each other. Prose and poetry, life and death, home and exile are all sung by the poet and his other. On the threshold of im/mortality, the poet looks back at his own existence, intertwined with that of his people. Through these lyrical meditations on love, longing, Palestine, history, friendship, family, and the ongoing conversation between life and death, the poet bids himself and his readers a poignant farewell.

Rifqa is Mohammed El-Kurd's debut collection of poetry, written in the tradition of Ghassan Kanafani's Palestinian Resistance Literature. The book narrates the author's own experience of dispossession in Sheikh Jarrah—an infamous neighborhood in Jerusalem, Palestine, whose population of refugees continues to live on the brink of homelessness at the hands of the Israeli government and US-based settler organizations. The book, named after the author's late grandmother who was forced to flee from Haifa upon the genocidal establishment of Israel, makes the observation that home takeovers and demolitions across historical Palestine are not reminiscent of 1948 Nakba, but are in fact a continuation of it: a legalized, ideologically-driven practice of ethnic cleansing.

"From the first, devastating poem ("i touch myself & do not leak gold"), George Abraham's poems bristle with alchemy, a narrative of love, history, family, and Palestine that pulses with longing. Juxtaposed with Leila Abdelrazaq's startlingly evocative artwork, this book is a fearless, riveting excavation of self and other." - Hala Alyan

In this poetry debut Mosab Abu Toha writes about his life under siege in Gaza, first as a child, and then as a young father. A survivor of four brutal military attacks, he bears witness to a grinding cycle of destruction and assault, and yet, his poetry is inspired by a profound humanity. These poems emerge directly from the experience of growing up and living in constant lockdown, and often under direct attack. Like Gaza itself, they are filled with rubble and the ever-present menace of surveillance drones policing a people unwelcome in their own land, and they are also suffused with the smell of tea, roses in bloom, and the view of the sea at sunset. Children are born, families continue traditions, students attend university, and libraries rise from the ruins as Palestinians go on about their lives, creating beauty and finding new ways to survive. Accompanied by an in-depth interview (conducted by Ammiel Alcalay) in which Abu Toha discusses life in Gaza, his family origins, and how he came to poetry.

Wild, lyrical poems that examine the connections between physical and interior migration, from award-winning Palestinian American poet, novelist, and clinical psychologist Hala Alyan, author of Salt Houses. For Hala Alyan, twenty-nine is a year of transformation and upheaval, a year in which the past--memories of family members, old friends and past lovers, the heat of another land, another language, a different faith--winds itself around the present. Hala's ever-shifting, subversive verse sifts together and through different forms of forced displacement and the tolls they take on mind and body. Poems leap from war-torn cities in the Middle East, to an Oklahoma Olive Garden, a Brooklyn brownstone; from alcoholism to recovery; from a single woman to a wife. This collection summons breathtaking chaos, one that seeps into the bones of these odes, the shape of these elegies. A vivid catalog of heartache, loneliness, love and joy, The Twenty-Ninth Year is an education in looking for home and self in the space between disparate identities.

Fady Joudah's The Earth in the Attic is the 2007 winner of the Yale Series of Younger Poets competition. In his poems Joudah explores big themes--identity, war, religion, what we hold in common--while never losing sight of the quotidian, the specific. Contest judge Louise Glück describes the poet in her Foreword as "that strange animal, the lyric poet in whom circumstance and profession . . . have compelled obsession with large social contexts and grave national dilemmas." She finds in his poetry an incantatory quality and concludes, "These are small poems, many of them, but the grandeur of conception is inescapable. The Earth in the Attic is varied, coherent, fierce, tender; impossible to put down, impossible to forget."

A stirring collection of recent work by a leading poet of the Arab world, superbly translated for English-language readers. In this inspired translation of Like a Straw Bird It Follows Me, Ghassan Zaqtan's tenth and most recent poetry collection,along with selected earlier poems, Fady Joudah brings to English-language readers the best work by one of the most important and original Palestinian poets of our time. With these poems Zaqtan enters new terrain, illuminating the vision of what Arabic poetry in general and Palestinian poetry in particular are capable of. Departing from the lush aesthetics of such celebrated predecessors as Mahmoud Darwish and Adonis, Zaqtan's daily, delicate narrative, whirling catalogues, and at times austere aesthetics represent a new trajectory, a significant leap for young Arabic poets today. In his preface to the volume, Joudah analyzes and explores the poet's body of work. "Ghassan Zaqtan's poems, in their constant unfolding," Joudah writes, "invite us to enter them, exit them, map and unmap them, code and decode them, fill them up and empty them, with the living and nonliving, the animate and inanimate, toward a true freedom."

Palestine + 100 poses a question to twelve Palestinian writers: what might your country look like in the year 2048 - a century after the tragedies and trauma of what has come to be called the Nakba? How might this event - which, in 1948, saw the expulsion of over 700,000 Palestinian Arabs from their homes - reach across a century of occupation, oppression, and political isolation, to shape the country and its people? Will a lasting peace finally have been reached, or will future technology only amplify the suffering and mistreatment of Palestinians? Covering a range of approaches - from SF noir, to nightmarish dystopia, to high-tech farce - these stories use the blank canvas of the future to reimagine the Palestinian experience today. Along the way, we encounter drone swarms, digital uprisings, time-bending VR, and peace treaties that span parallel universes. Published originally in the United Kingdom by Comma Press in 2019, Palestine +100 reframes science fiction as a place for political justice and the safekeeping of identity.

The title story of Liyana Badr’s remarkable collection of three short novellas interweaves the narratives of three Palestinians, two women and one man, relating their successive uprootings: from Palestine in 1948, from Jordan during Black September in 1970, to their final exile in Beirut. Badr’s intensively evocative contrapuntal style allows the reader to glimpse the joy and despair of these lives rooted in exile and resistance. There is an attention to detail in these stories that brings the grand narrative of Palestinian history alive: a horrified mother spotting a white hair on her baby’s head the morning after a mortar attack in Beirut; a woman hiding a Palestinian resistance fighter’s gun moments before he is picked up by the Jordanian security police. The final movement of A Balcony over the Fakihani is a deeply poetic and harrowing account of Israeli air strikes during the 1982 invasion of Lebanon, told from the perspective we so rarely encounter: that of the disenfranchised people whose courage and suffering cannot fail to move the readers of this extraordinary book.

Bringing together a dozen of Palestine’s greatest modern prose writers, this unique anthology sets contemporary stories against the backdrop of one of the world’s most talked-about cities, presenting them in English translation for the first time. Together, these stories will enable English-speaking readers to go beyond the global media coverage and enter into the daily life of ordinary characters struggling to live with dignity in what is effectively the world’s largest prison. The authors range from highly acclaimed writers to exciting new voices in Arabic literature, including the “Father of the Palestinian” short story, Zaki Al Ela, and a new generation of young women bloggers and activists, such as Mona Abu Sharikhm, Dawlat Al Masri, and Najla Attalah.

Unlike most other Palestinian cities, Ramallah is a relatively new town, a de facto capital of the West Bank allowed to thrive after the Oslo Peace Accords, but just as quickly hemmed in and suffocated by the Occupation as the Accords have failed. Perched along the top of a mountainous ridge, it plays host to many contradictions: traditional Palestinian architecture jostling against aspirational developments and cultural initiatives, a thriving nightlife in one district, with much more conservative, religious attitudes in the next. Most striking however--as these stories show--is the quiet dignity, resilience, and humour of its people; citizens who take their lives into their hands every time they travel from one place to the next, who continue to live through countless sieges, and yet still find the time, and resourcefulness, to create.

Susan Muaddi Darraj's short story collection about the inhabitants of a Palestinian West Bank village, Tel al-Hilou, spans generations and continents to explore ideas of memory, belonging, connection, and, ultimately, the deepest and richest meaning of home. A Curious Land gives voice to the experiences of Palestinians in the last century.

When he was seven years old, Palestinian poet Ghassan Zaqtan moved with his family to a Karameh refugee camp east of the River Jordan. That camp--a center of Palestinian resistance following the Six-Day War and the site of major devastation when Israel razed the camp following the Battle of Karameh in 1968--is the setting for Zaqtan's first prose work to appear in English, Describing the Past. This novella is a coming of age story, a tale of youth set amid the death and chaos of war and violence. It is an elegy for the loss of a childhood friend, and for childhood itself, brought back to life here as if dreams and memories have merged into a new state of being, an altered consciousness and way of being in and remembering the world.

Finalist for the 2022 Atwood Gibson Writers' Trust Fiction Prize Elegant, surprising stories about Palestinian immigrants in Canada navigating their identities in circumstances that push them to the emotional brink. Saeed Teebi's intense, engrossing stories plunge into the lives of characters grappling with their experiences as Palestinian immigrants to Canada. A doctor teaches his girlfriend about his country, only for her to fall into a consuming obsession with the Middle East conflict. A math professor risks his family's destruction by slandering the king of a despotic, oil-rich country. A university student invents an imaginary girlfriend to fit in with his callous, womanizing roommates. A lawyer takes on the impossible mission of becoming a body smuggler. A lonely widower travels to Russia in search of a movie starlet he met in his youth in historical Jaffa. A refugee who escaped violent circumstances rebels against the kindness of his sponsor. These taut and compelling stories engage the immigrant experience and reflect the Palestinian diaspora with grace and insight.

By turns bleak, nostalgic, and lighthearted, Jerusalem Stands Alone explores the interconnected lives of its mostly Palestinian cast. This series of quick moving vignettes tells the story of occupied Jerusalem--tales of the daily tribulations and personal revelations of its narrators. The stories, entwined around themes of family and identity, diverge in viewpoint and chronology but ultimately unite to reveal the tapestry of Palestinian Jerusalem. The settings evoke the past--churches, alleys, and people who are gone but whose spirits yearn to be remembered. The characters are sons and mothers, soldiers and wives, all of whom unveil themselves in sometimes poignant, sometimes bittersweet memories. As its history rises up through the present struggles and hopes of its people, the deepest, most personal layers of Jerusalem are revealed.

A brilliant collection of fictions in the vein of Roald Dahl, Etgar Keret and Amy Hempel. These are stories of what the world looks like from a child's pure but sometimes vengeful or muddled perspective. These are stories of life in a war zone, life peppered by surreal mistakes, tragic accidents and painful encounters. These are stories of fantasist matadors, lost limbs and perplexed voyeurs. This is a collection about sex, death and the all-important skill of making life into a joke.

"Far from being a simple parable, [Men in the Sun] depicts some often hidden aspects of the complex social and political reality of the Palestinians ... and is also a well-told story.... We should not forget the excellent translation of Hilary Kilpatrick which not only manages to preserve the subtle voice of the narrator, but also matches accurately the sober and lucid prose in Arabic for which Kanafani was hugely admired."--Samir el-Youssef, Banipal This collection of important stories by novelist, journalist, teacher, and Palestinian activist Ghassan Kanafani includes the stunning novella Men in the Sun (1962), the basis of the film The Deceived. Also in the volume are "The Land of Sad Oranges" (1958), "'If You Were a Horse . . .'" (1961), "A Hand in the Grave" (1962), "The Falcon" (1961), "Letter from Gaza" (1956), and an extract from Umm Saad (1969). In the unsparing clarity of his writing, Kanafani offers the reader a gritty look at the agonized world of Palestine and the adjoining Middle East.

Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba--the catastrophe that led to the displacement and exile of some 700,000 people--and the Israelis celebrate as the War of Independence. Israeli soldiers murder an encampment of Bedouin in the Negev desert, and among their victims they capture a Palestinian teenager and they rape her, kill her, and bury her in the sand. Many years later, in the near-present day, a young woman in Ramallah tries to uncover some of the details surrounding this particular rape and murder, and becomes fascinated to the point of obsession, not only because of the nature of the crime, but because it was committed exactly twenty-five years to the day before she was born. Adania Shibli masterfully overlays these two translucent narratives of exactly the same length to evoke a present forever haunted by the past.  

Politics and the novel, Ghassan Kanafani once said, are an indivisible case. Fadl al-Naqib has reflected that Kanafani wrote the Palestinian story, then he was written by it. His narratives offer entry into the Palestinian experience of the conflict that has anguished the people of the Middle East for more than a century. In Palestine's Children, each story involves a child a child who is victimized by political events and circumstances, but who nevertheless participates in the struggle toward a better future. As in Kanafani's other fiction, these stories explore the need to recover the past the lost homeland by action. At the same time, written by a major talent, they have a universal appeal.